Friday, September 13, 2019
An Analysis of The Picture of Dorian Gray by Oscar Wilde
Time is not really suspended, even for the novels beautiful young hero In the light of this comment, discuss ways in which Willed portrays time passing in The Picture Of Dorian Gray. One of the main ways in which Willed portrays time passing is the ageing and changing of the portrait. Dorian is exceptionally vain and becomes convinced, after a brief conversation with rod Henry that his most significant characteristics; his youth and attractiveness are slowly going to fade away. The thought of this makesDorian worried and therefore he curses his fate and pledges his soul so that he could live without bearing the physical burdens of aging and sinning. He no longer sees his beauty as a gift but as something he must fight to retain at any cost. The fact that at first, Dorian Gray is described as a beautiful creature, and someone who should always be there in winter when we have no flowers to look at suddenly, with a matter of time, after listening to Lord Henrys famous aphorisms he soon believes them and with that he turns into meeting completely different from how he was first described. He changes into something volatile with mad hungers that become more ravenous. He goes through life living through sin and pleasure and after being given the yellow book by Lord Henry, he lives under the influence of the book. As he approaches his thirties, many people shun him, whilst others find him charming, due to the fact that these are the people that have seen him in person and therefore dismiss his wrong doings due to the purity of his face.His face however reveals no dissipation; his appearance is merely innocent, only his soul has been poisoned by a book. Although physically Dorian doesnt age, emotionally he does. He seems to grow more and more restricted from others and gain pleasure at any cost, something Freudianism would call an over indulgence of the id the pleasure principle where this pleasure principle is outweighed more than the ego -? reality principle and the superego the morality principle.
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